#Encore notation adding chords software#

#Encore notation adding chords software#

During the whole project, Ricardo del Pozo provided expertise on the software environment as well as on the artistic content. Again, HГҐkon AustbГё played the piano and prepared the colour part, which was again performed by Sanae Yoshida. This cycle was performed on 10 August 2013, at the Jakob church in Oslo, in the framework of the Oslo International Chamber Music Festival. The project was ultimately aimed at realizing a colour part for the gigantic piano cycle Vingt Regards sur lвЂ™Enfant-JГ©sus. This turned out to be the first performance of this piece in Norway and took place at the Norwegian Academy on 28 February 2013. With the collaboration of the Oslo Sinfonietta, conducted by Christian Eggen, and the Norwegian Soloist Choir with conductor Grete Pedersen, an ensemble of students and professionals was put together. The resulting colour part, to be played from an electronic keyboard, was performed at the concert by the pianist Sanae Yoshida. In addition to playing the piano solo part, HГҐkon AustbГё, the author of this article, undertook the development of colour projections. ValГ©rie Hartmann-ClavГ©rie played this on the ondes martenot. The musical part of this performance requires a female choir, a string orchestra of specific size, various percussion instruments including celesta, and, beside the piano solo part, an ondes martenot solo that is essential to the colouring of the piece. The preliminary stage of the project was devoted to a performance of the Trois Petites Liturgies de la PrГ©sence Divine at the closing concert of a Messiaen festival organised by the group. The project вЂMessiaenвЂ™s ColoursвЂ™ was conducted at the Norwegian Academy of Music (NAM) as part of the broader research project вЂThe co-creative musicianвЂ™, led by Magnus Andersson. In 1971, he won the Olivier Messiaen Competition, and in 2013 was made Knight of the French lвЂ™Ordre National des Arts et des Lettres.

Pianist HГҐkon AustbГё is a Professor at the Norwegian Academy of Music, formerly Stavanger and Amsterdam, widely known for his work with composers such as Messiaen and Skryabin.

Correspondence between colours and musical material.